These top rings are partially mirrored with two more 6mm rings at the bottom, which gives a nice visual balance. When working with quiet sources, though, like gentle acoustic guitar or spoken word, the Stealth has the ability to boost the output considerably simply by turning on phantom power — and that's really handy, particularly when partnered with interfaces or preamps with only a modest gain range. This sleek-looking slab of metal is a dynamic microphone with four switchable voice settings, each tailored to deliver performance across a wide range of applications. I would like to receive news and offers from other Future brands. Again, other manufacturers offer dynamic mics with integral phantom-powered buffers and gain stages, but what makes Aston's offering genuinely unique is some clever circuitry that bypasses the gain stage if phantom power is not detected, allowing it to be used as a conventional passive mic. To that end it carries the markings V1, V2, G and D, any of which can be aligned with a white reference line. Learn more. Shop all the best Cyber Monday deals NOW. It’s a solid-feeling mic, and the design offers a number of bonuses, some common to other Aston mics, others unique to this model. Time for more discounts! The Stealth is a pretty chunky microphone that looks serious and professional, and sits confidently alongside the established end-fire dynamics like the SM7B, RE20 and Procaster. And when powered, the purple LEDs add a distinctive and elegant charm that marks the Stealth out as something special. If you're in the market for a new Xbox One console, you'll want to check these deals out first. We discover whether or not the Stealth has the power and versatility to be all things for all voices… In contrast, the V2 position was noticeably louder and gave a much more mid-forward and brilliant sound with a lot more in the 10kHz area, making it sound more like a large-diaphragm capacitor mic and almost U87-esque. The resulting data amounted to something like 9000 test points that revealed some very strong and consistent preferences, which shaped the production microphone. And it was as a direct result of industry feedback that the company decided that their fourth microphone was to be something completely different from previous models: a dynamic microphone — and a great big one at that! Sign up now to get the latest news, deals & more from Windows Central! The Stealth's most obvious competition comes in the form of the Shure SM7B, the Procaster and the RE20, but none of these alternatives can match the versatility of the Aston microphone. The Shure SM7B has become the popular choice for many who are podcasting and streaming, but I reckon the Aston Stealth is the better choice for these two applications thanks to some of the clever tricks the company installed like the pre-amp and voice settings. Aston have specified the nominal sensitivity as 1mV/Pa, but actually it varies over an 8dB range depending on the tone setting. Aston Microphones have always valued and relied upon customer and industry feedback to guide the development of their microphones, particularly in terms of sound character and features. It's not a disaster by any means, but I found myself having to re-tighten a drooping mic more than once. It took around nine months to develop, much of that time being spent on extensive testing in the field. And the Aston Stealth is a powerful, versatile microphone, rocking some killer specs on paper. There is also a slot here for the removable standmount, which is basically a flat 4mm-thick bar attached to the knuckle of a threaded 5/8-inch threaded stand adaptor. This new microphone sets a very high bar for sound quality, the build quality is excellent, and the form factor sits well with its intended peers. Unlike many dynamic mics in this class, the Stealth mic doesn't feature a conventional humbucking coil to minimise audible hum picked up from strong magnetic fields, but Aston's Managing Director James Young tells me there is a form of anti-hum circuitry built into the mic's internal circuit board. Every voice is different, of course, but one or other of these two options is likely to complement most voices pretty nicely. Although it's simple and reliable to insert and remove, and looks very neat in use, I wasn't entirely confident about the standmounting adaptor. The Blue Yeti is great, so too is Razer's Siren and HyperX QuadCast, but Aston has something really special here with the Stealth studio microphone. I've already mentioned the two plastic rings at the bottom of the microphone, and the lowest one is a kind of end cap that protects the output XLR connector and a small button on the base. The four positions offer quite obviously different voicings which should suit a wide range of applications. These are the best USB 3.0 hubs available. Mastering Essentials Part 3 - How loud should I master? Lastly, the D option has a distinctly mellow tonality with a strong bass end (sitting halfway between the two V modes) and a gently recessed mid‑range with a rounded high end. Microsoft's Surface lineup has grown by leaps and bounds over the years. The bar is shaped a little like a flattened jack plug, with a rounded tip above a slightly narrowed waist, and this is simply pushed firmly inserted into the slot until it clicks securely in place, allowing the mic to be suspended upside down if necessary (removal of the mount just requires a firm tug). I get the idea behind the plastic mounting mechanism Aston went for with the Stealth, especially for stage performances, but it feels a little cheap compared to the rest of the microphone, and I would much rather have this expensive piece of tech secured in an external shock mount when hooked up to a boom arm to negate the wobble experienced when lightly pushing against the microphone. Advice on ceiling-suspended microphone arrays. The Stealth is a pretty chunky microphone that looks serious and professional, and sits confidently alongside the established end-fire dynamics like the SM7B, RE20 and Procaster. V1 was found to be best suited for male voices, V2 for female voices. There are, of course, a few other dynamic microphones around with selectable frequency responses, some offering voice/music options and others adjustable bass responses, for example.
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