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In other words, a prime lens like the 50mm makes you think more purposefully about how you compose your photos. With the Canon EF 50mm f/1.8 STM lens you can easily produce more artistic and impactful photography thanks to a wide f/1.8 aperture that produces sharp focus on your subject. If you already have a 50, don't worry: the 50mm lens on APS is great for portraits! The new 50mm f/1.8 isn't exactly groundbreaking, but it's looking like a more solid option that is still a bargain at $125. The lens features a minimum focus distance of 7.5 inches and max magnification of 0.2 times. You’ll see that for most purposes the f/1.8 lenses listed here will suit your needs just fine. You’ve likely noticed the pattern in these prime lens selections—they are all f/1.4 lenses. The first big difference between this model and the old one is the fact that the autofocus motor has STM technology, which is designed to give smoother autofocus during video. However, we are able to give you a head start in solving this challenge by telling you what the most popular Nikon lenses for video are. To take the best pictures with a 50 mm lens, it is crucial you adjust the camera settings appropriately. Because of that, we’ve also created a list of the most popular f/1.8 lenses that can be used in place of the f/1.4 for those working with a tighter budget. This is an f/4 lens. So, I figured I would show you how I set up with it! A few notes on these selections: • All of these lenses are FX lenses. With an 80mm effective focal-length on APS-C cameras, 50mm on full-frame cameras, it's an excellent prime lens for portraits, action, even nighttime photography. Voor mij zat het er al een tijdje aan te komen om deze te gaan kopen, maar de twijfel lag tussen Canon en Yongnuo. De 50mm f/1.8 is niet alleen populair door de hierboven genoemde redenen, maar ook door de relatief lage aankoopprijs. Its versatile range means you can easily go from shooting a wide scene, such as an interview to grabbing B-Roll. And everything here about 50mm lenses on full-frame cameras is true of 35mm lenses on crop-frame ones. A 50mm lens on an APS-C camera is equivalent to a 75mm lens, which is more in the telephoto range. FX is Nikon’s designation for “Full-Frame” sensor, which means the size of the sensor is the size of a traditional 35mm piece of film, which is used industry wide as the standard to measure against. In other words, if you were to test every single focal length in the same line (let’s say Rokinon’s Cinema lenses for instance), you will almost always find that the 50mm lens will deliver the best optical results. If you need more convincing about how great the 50mm lens is, check out the video below by DigitalRev TV: In simple terms, this means when you use a prime, you can’t zoom in or out—you’re stuck with one view. De 50mm f/1.8 lens is geschikt voor portretfotografen. In total, the lens weighs just 13.2 oz (373g). Depending on the sensor size of your camera, the 50mm can be used two ways. One of the biggest advantages of shooting video with a DSLR camera is the great lens selection available to shoot with. So if you need a little help steadying your footage a zoom lens may be preferable because of its built-in VR. Related Post: DSLR Video Shooting Tips (20 Amazing Must Know Video Tips) 4. Canon's low-cost 50mm lens just got an update with some refinements aimed at those shooting video. The magnification is literally the same. Granted, it's a higher-end, more expensive 50mm lens, but even entry-level 50mm lenses like the Canon 50mm f/1.8 II offer excellent sharpness. Each lens has its own unique set of qualities and characteristics that makes it perfect for a certain scene, and this inevitably prompts users to ask—which lenses are the best for shooting video? Hey guys, today I'm showing you how I set up to film with a 50mm lens. Most filmmakers end up stopping these lenses down to f/2.0 or f/2.8 to gain more depth of field and not have to worry about whether their subjects are in focus. 2. Sign up for Learn & Explore emails and receive inspiring, educational and all around interesting articles right in your inbox. An 85mm will have a beautiful look and does well for close ups. Due to its slightly smaller aperture compared to the previous Nikkor lens on this list, the f/1.4D AF is significantly more affordable, but it also comes with an aperture ring and depth of field indicator. • How important is shallow depth of field (bokeh) in my video? En de lens heeft wat lichtafval op z’n grootste diafragma’s. What are the best lenses for you to shoot video with? The Leica DG 10-25mm f1.7 is a unique and flexible lens for Micro Four Thirds photographers and a dream come true for those who shoot video. So, what we are trying to say is that there is no “best” when it comes to matching a look to your vision—you own that part of the equation, and should solve accordingly. I recently just ordered the Canon 50mm 1.2, and I am wondering if this lens is a good fit for video. For example, a typical 18-55mm kit lens might have an aperture range of f/3.5-f/5.6 where a 35mm or 50mm prime might have a constant aperture of f/1.8 or f/2 (or in the case of the lens … This ultimate lens produces images that are reasonably sharp in the center at F4.0 - F5.6 and serious sharp by the time you hit f7.0. Related Post: Review of the Best Sigma Lenses 2. • AF-S NIKKOR 24-120mm f/4G ED VR—great focal length range and zoom flexibility have made this a favorite lens to shoot video on DSLR cameras. • Fast f/1.4 primes are typically used on film sets where each scene can easily be controlled; in this setting they are used primarily for the low light capabilities as well as to get the shallow depth of field (bokeh) aesthetic. This lens continues the 16-35mm range with a good overlap, meaning that if you find yourself not needing to shoot super wide shots, you will love this lens as a general walk-around lens. Though zoom lenses usually cannot achieve f/stop numbers as low as prime lenses, professional grade zoom lenses can usually go as low as f/2.8, which means quite a lot of light is hitting the sensor, giving you a great amount of control over depth of field. So there you have it, these are some of the most popular and desired lenses for video shooting with Nikon DSLR cameras. Originally launched to replace the older EF 50mm f/1.8 in 1990, the EF 50mm f/1.8 II has built up a good reputation for being an extremely compact and inexpensive fixed-focal-length standard lens. You’ve successfully subscribed to Nikon’s Learn & Explore newsletter. On an APS-C or crop sensor, the 50mm is more like a telephoto portrait lens. These 3 zoom lenses are the most coveted zoom lenses in Nikon’s lineup, largely because of their f/2.8 aperture; however, these professional lenses do come at a higher price, and for those working with a smaller budget, or who simply don’t plan to shoot in low-light situations and don’t need the shallow depth of field (bokeh) of a 2.8 lens, here are the f/4 lenses that would be perfect alternatives: • AF-S NIKKOR 16-35mm f/4G ED VR—the 16-35mm covers a really great focal length range from super wide to wide; paired up with the other lenses on this f/4 list, this lens will really add to your production level by giving you great flexibility to get the wider shots for a variation of scenes. Zijn voorganger was al goed, deze is nog beter. Nikkor 50mm f/1.4D AF prime lens is known to be the best budget 50mm lens for Nikon. Ieder (hobby) fotograaf, zou deze lens moeten hebben. It is well documented that Henri Cartier-Bresson spent his entire career shooting on a 50mm (on film, so close to 35mm on a …

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